Enough

In 2022, 6,032 children 17 years and younger were injured or killed due to gun violence—enough to fill more than 300 classrooms of 20. In one week, we are exactly one year from the next election, and our teens are looking for answers on how to avoid becoming another statistic and saying, “Enough is enough.”

Join us at 7:30 at Stageworks Theatre on Nov 6 to witness six provocative new short plays by teen writers confronting gun violence in America. Stay afterward for a critical dialogue about how gun violence impacts our community.

Learn more about @enoughplaysproject by visiting enoughplays.com/reading

Her Beautiful Sound

Saturday, Aug 26th @ 4:30pm

Stageworks Theatre

“Words mean more than what is set down on paper. It takes the human voice to infuse them with deeper meaning.”- Maya Angelou

A young teenager discovers the beauty of grief, family, friendship and her voice, her own beautiful sound. 

The Ballad of Emmett Till

BIPOC Play-Reading Series

March 5, 2023

The Ballad of Emmett Till dramatizes the final days of Emmett Till, a Chicago teenager who takes a fateful trip to Mississippi in the summer of 1955. It is the story of a quest, Emmett’s pursuit of happiness, of liberty and ultimately of life.

Across the Atlantic

BIPOC Play-Reading Series

February 5, 2023

Synopsis: 

Madalena is an indigenous Tocobaga woman from Florida. She is taken captive and enslaved by the Spanish empire to then become an intermediary and translator for the Spanish crown. Lost in history, save only for her mention in a friar’s journal, her story journeys from Florida through the Caribbean, across the Atlantic, and back again. A tale of mystery, faith, life, and death that gives an account erased from the colonial history of the Americas.

Cast Size: 9 characters – (5 females/4 males) parts can be expanded as desired. An ensemble can be added to play indigenous people and servants.

  • MADALENA – Indigenous female from Florida of the Tocobaga people. Fourteen to 30 years old. Looks young yet timeless. The protagonist and narrator of the story. A slave, servant, and eventual translator for the Spanish crown. Relentless. (Originated* by Hannah Corlew)
  • ULELE – Indigenous female from Florida of the Uzita people. Early 20s. She saves Juan Ortiz’s life. An idealist. Doubles as Bobadilla’s servant. (Originated* by Danielle Rodd/Gretchen Suárez-Peña)
  • ISABEL DE BOBADILLA – Spanish female, mid-30s to early 40s. The aristocratic Spanish wife of Hernando de Soto. The first female governor of Cuba. A pragmatist. Doubles as a Tocobaga woman in Acts 1 and 2. (Originated* Alina Alcantara)
  • ISA LA MORISCA – Female, 20s to 30s, a “white” slave from North Africa. Isabel de Bobadilla’s personal assistant and namesake. Kind. Doubles as a Tocobaga woman in Acts 1 and 2. (Originated* Dina Najjar/Marisol Robles)
  • TOCOBAGA YOUNG WOMAN – Indigenous female, similar age to Madalena. Madalena’s friend. Doubles as Bobadilla’s servant. (Originated* by Jen Diaz/Laela Rodriguez)
  • TOCOBAGA MAN – Indigenous male, 30s-50s, assumed leader of the Tocobaga. Doubles as CHIEF HIRRIHIGUA the leader of the Uzita. Doubles as Bobadilla’s servants. (Originated* by Tyler Anderson)
  • JUAN ORTIZ – Spanish male, mid-20s to early 30s. A captive of the Uzita and Mocozo tribes in Florida. Saved by Ulele. Doubles as LAS CASAS, the Spanish colonist, priest, famed historian, and social reformer. Doubles as GREGORIO DE BETETA, a friar companion of Cáncer’s. Doubles as MAN 3.  (Originated* by Manuel Solis-Bauza/Lee Catalfomo)
  • HERNANDO DE SOTO – Spanish male, late 30s to early 40s. The Spanish explorer and conquistador. Isabel de Bobadilla’s husband. Pretentious. Doubles as CANCER, first name Luís, a Spanish priest and missionary. Overenthusiastic. An idealist. Doubles as MAN 2. (Originated* by Cornelio Aguilera)
  • LOBILLO – Spanish male, late 30s to early 40s. One of Hernando de Soto’s men. Doubles as ESTEBAN DE FUENTES, a laborer who accompanies Cáncer. Doubles as PRINCE FELIPE II, crown prince to the Spanish throne, and MAN 1.  (Originated* by Jullien Aponte)

Rise of the Prickly Pear

American Stage is proud to launch our commitment to 21st Century Voices with a New Play Festival featuring live staged readings of four new plays from four exceptional up-and-coming playwrights from Tampa Bay and beyond.

A committee comprised of a diverse cross-section of community members worked with our producing artistic director to read, evaluate and discuss hundreds of new play submissions from all over the United States. The selected works will be featured in staged readings and workshops and will provide audiences the opportunity to contribute to the plays’ development through audience talk-backs following each play reading.

Individual Tickets: $10 per reading
All-Access Pass: $30 General Public | $20 American Stage Subscribers & Act 1 Club Members

Sponsored by Rebecca & Michael Alford and Susan & Pete Greenbaum

Rise of the Prickly Pear
By Radha S. Menon

Rise Of The Prickly Pear is about love and betrayal, set in 1958 Santiago De Cuba and 1980 Miami. Che Guevara and his ‘bearded ones’ are holed up in the Sierra Maestra fighting a bitter battle as revolution grips the nation in a dire struggle against American imperialism, while two local women battle each other and bust up over love.

Twenty years later these women reunite in Miami and must face each other and get to grips with the past.This play arose from curiosity and bloomed into an exploration of the illusive nature of beauty and a study into humanity’s ingenious knack of reinvention after betrayal has obliterated one’s status quo.

Director – Erica Sutherlin
Assistant Stage Manager/The General – Matt Acquard
Futuro – Nick Hoop
Marianna – Isabel Natera
Hermosita – Jessy Julianna Quinones
Pedro – Joe Parra
Ramon – David Valdez

Dog Act

TAMPA REPERTORY THEATRE & CREATIVE LOAFING PRESENT

CONVERSATION STARTERS

A post-apocalyptic vaudeville, Dog Act follows Zetta Stone, a traveling performer, and her companion Dog, a young man undergoing a voluntary species demotion, as they walk through the wilderness of the former Northeast U.S. with their little troupe. They are heading toward a gig in China, if they can find it—and if they can survive to reach it. A theatrical, darkly comic variation on the classic doomsday genre – the post-apocalyptic wilderness was never funnier!

Monday, February 13th, in the CL Space, 1911 N. 13th Street, Tampa.  7: 30pm Curtain. Tickets are $10.  Cash bar on site.  And stick around for the discussion afterwards.

The Vagina Monologues

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Carrollwood Players Theatre presents a CWP Black Box Production of The Vagina Monologues by Eve Ensler

A Staged Reading in the CWP Black Box Theatre

Directed by Beth Behner

Three Performances Only
Friday, February 3, 2017 at 8 pm
Saturday, February 4, 2017 at 8 pm
Sunday, February 5, 2017 at 3 pm

Tickets: $10
https://carrollwood-players-theatre.ticketleap.com/vagina-monologues/

The Vagina Monologues introduces a wildly divergent gathering of female voices, including a six-year-old girl, a septuagenarian New Yorker, a vagina workshop participant, a woman who witnesses the birth of her granddaughter, a Bosnian survivor of rape, and a feminist happy to have found a man who “liked to look at it.” Funny, outrageous, emotionally affecting, and occasionally angry, The Vagina Monologues confront words to demystify and disarm them – and the audience witnessing them.

Strong adult language and themes.

CAST

Tana Gundry
Patricia Coyle
Alexa Sheppard
Rebecca Ginsberg
Leanne Germann
Deb Kelley
Pamela Slagg
Jen Martin
Petra Sussman
Trish Farber
Gemma Davimes
Kym Welch
Val Sanford
Taylor Hendershot
Isabel Bertram
Samantha Janek

 

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Almost, Maine – Staged Reading

Come see me in a staged reading of this wonderful show.

Carrollwood Players Theatre presents a CWP Black Box Production of Almost, Maine by John Cariani
A Staged Reading in the CWP Black Box Theatre

Directed by Mike Cote

Two Performances Only
Sunday, January 15, 2017 at 7 pm
Sunday, January 22, 2017 at 7 pm

Tickets: $10
https://carrollwood-players-theatre.ticketleap.com/maine/

On a cold, clear, moonless night in the middle of winter, all is not quite what it seems in the remote, mythical town of Almost, Maine. As the northern lights hover in the star-filled sky above, Almost’s residents find themselves falling in and out of love in unexpected and often hilarious ways. Knees are bruised. Hearts are broken. But the bruises heal, and the hearts mend—almost—in this delightful midwinter night’s dream.

“ALMOST, MAINE is a series of nine amiably absurdist vignettes about love, with a touch of good-natured magic realism…witty, romantic, unsentimental. A beautifully structured play, with nifty surprise endings (most but not all of them happy).” —The New York Times. “Sweet, poignant, and witty. Nearly perfect.

AMOST, MAINE’s charm is real. It packs wit, earns its laughs and, like love, surprises you.” —New York Daily News. “Mega-hit ALMOST, MAINE lands somewhere between Norman Rockwell and Our Town.

Unlike traditional play readings with a group of seated actors simply reading the script aloud, this staged reading features a set, costumes, action, lighting, music and sound effects.

Mild adult language and themes.

CAST

Isabel Bertram
Patricia Coyle
Samantha Janek
Robert Pelaia
Jim Moss
Brian McCreight

Tickets: $10
https://carrollwood-players-theatre.ticketleap.com/maine/